University of Toledo Symphony Orchestra
April 28, 2022 at 7:00pm
Doermann Theater – University Hall
Norman Damschroder, conductor
There will be no intermission.
Melody for String Orchestra (1982) - Myroslav Skoryk (1938-2020)
Generations for Orchestra (1989)- David N. Jex (b. 1950)
Arioso No. 2 for String Orchestra (1967)- Philip Glass (b. 1937)
Fanhong Jiang - Violin Soloist
Les Rêves de Colombine, Op. 65 (1907)- Amy Marcy Cheney Beach (1867-1944)
Orchestrated from the original piano suite by Damon Sink
1. La fée de la fontaine: “The Fairy in the fountain”
2. Le prince gracieux: “The Gracious Prince”
3. Valse amoreuse: “Waltz of love”
4. Sous les étoiles: “Under the stars”
5. Danse d’arlequin: “Harlequin’s dance”
Ensemble Personnel
1st Violin
*Fanhong Jiang Master of Music Performance
*Qilong Wei Music Performance
Colin Fetterly High School Community Member
Tara Smith English
Emma Streetman Exercise Science
Cassandra Vogelpohl Music Education
Tyler Welter Electrical Engineering
2nd Violin
* Emma Vantine Speech/Language Pathology
Godha Akkiraju Biology, Pre-Med
Taylen Arvay Biology
Morgan Liggins Exploratory Studies
Milena Slaybaugh BA Music
Abirami Subbiah Biology, Pre-Med
Paige Valley Cosmetic Science
Anna Walker Bioengineering
Viola
*Elise Essenmacher Mechanical Engineering
Zachary Diehl BA Music
Claire Johnson Computer Science and Engineering
Bethany McCutchan Mechanical Engineering
Maisy Ransford Marketing
Cello
* Kassim Hawary Civil Engineering
Dylan Almeida Biology
McKenna Dowd Astrophysics
Emily Haar Civil Engineering
Alesondra Herrera Psychology
Michael Stamm Exploratory Studies
Bass
*Miranda Futrell Music Education
Celeste Almaguer Biology
Dylan Crable Mechanical Engineering
Ellie Kornawa High School Community Member
Flute/Piccolo
Taylor Klaiber Biology, Pre-Med
Alexandria Lloyd Biology
*Mary Olnhasen Electrical Engineering
Oboe/English Horn
Tyler Cook History
*Spencer Jacob Alumni Community Member
Clarinet
Joseph Bennett Music Education
*Jonathan Poe Alumni Community Member
Bassoon
*Jonah Galati Chemical Engineering
Olivia Ward Bioengineering, Pre-Med
Horn
Zachary Diehl BA Music
*Mitchell Grilliot Early Childhood Education
Trumpet
Morgan Skaggs Adolescent/Young Adult Education
Heather Volmer Music Education
*Wesley Wineinger Music Education
Trombone
* Michael Borjas Music Education
Luigi Filippelli Pre-Pharmacy
Tuba
* Jacob Darr Music Education
Timpani/Percussion
*Walter Book Music Performance
Michael Ellerman II Mechanical Engineering
Gabriel Fess Business
Thomus Maples Music Education
*indicates Principal
Program Note for Les Rêves de Colombine, Op. 65
Amy Beach (née Marcy Cheney) is inarguably one of—if not the most—prominently recognized
and performed American women composers. Beach premiered the original piano suite Les Rêves de Columbine on the program of one of her semi-annual recitals at the Hotel Tuileries in Boston
on April 17, 1907. The five movements paint the picture of the dreams or reveries of a well-known commedia dell’arte stock theatrical character, Columbina.
Columbina, which means “little dove” in French, was a female role of a comic servant, married
to Pierrot (another character popularly depicted in programmatic romantic music) and
the mistress of Harlequin. Historically, the role was limited to that of a dancer
in the entr’acte, but developed over time into more of a story-driving character who
may have been seen on stage carrying a tambourine—likely wielded to deflect an overly
insistent romantic pursuer.
The five reveries, are
1. La fée de la fontaine: “The Fairy in the fountain”—Beach’s notes describe the fairy
as “capricious, fierce, and sullen as well as gracious.”
2. Le prince gracieux: “The Gracious Prince” a playfully regal, and somewhat formal
dance movement. (listen for Columbine’s tambourine!)
3. Valse amoreuse: “Waltz of love”—a lilting dance with Pierrot, or perhaps dreaming
of another?
4. Sous les étoiles: “Under the stars,” perhaps the most “dream-like” of all the movements,
undulating and serene but with an intense rise and return.
5. Danse d’arlequin: “Harlequin’s dance,” blending and reimagining several elements from earlier movements, interspersed with lively prestos and comic dances.
The original suite is, of course, a gem in its own right, but I believe that this
modest set of orchestrated movements bring some extra color and vibrancy to the story
of Columbine and may offer more orchestras the chance to perform the music of a singularly
inventive and brilliant American composer.
– Damon Sink, conductor, Western Carolina Civic Orchestra.
Sources:
All Music guide by Joseph Stevenson. https://www.allmusic.com/composition/les-reves-de-colombine-suite-for-piano-op-65-mc0002376154
Wikipedia: “Columbina” – https://en.wikipedia.org/wiki/Columbina
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