The Tempers (1913)
This is a limited edition printing from London of this book, his second collection of poems. Ezra Pound, a foremost figure of Modernist poetry, arranged for the publication of this book, making himself a champion of Williams’ poetry.
The Wedge (1944)
The poems collected in The Wedge appeared in several other literary magazines. Of this particular collection, only 380 copies were printed. The first poem inside, “A Sort of Song,” contains Williams’ famous aphorism on poetry: “no ideas but in things.” As is common in his work, Williams uses casual, everyday language in these poems. He insisted that it was important to write using idiomatic American speech. This was a new concept at the time, but this tenet eventually became a defining characteristic of Modernism.
These short excerpts from Williams' introduction to this book introduces part of his philosophy on poetry:
"A poem is a small (or large) machine made of words. When I say there’s nothing sentimental about a poem I mean that there can be no part, as in any other machine, that is redundant."
"each speech having its own character the poetry it engenders will be peculiar to that speech also in its own intrinsic form"
Pictures from Brueghel and Other Poems (1962)
In many of the poems in this book, Williams discusses the relationship between people and nature. This book is signed by the writer and it is a first edition copy. Interestingly, one poem is entitled “The High Bridge above the Tagus River at Toledo,” but here Williams refers to Toledo, Spain.
Flowers of August (1983)
There are only 260 copies of this book which sets some of Williams’ poems alongside the drawings of Keith Achepohl. This edition is the first one which reprints the original sequence that Williams intended for this book. Notice the flower shape that is set onto the cover.